Ayo Edebiri’s Venice Film Fest Debut: How Chanel’s Secret Touch is Set to Revolutionize Red Carpet Glamour

When Ayo Edebiri stepped onto the red carpet Friday night for the premiere of After The Hunt, it was more than just a debut—it was a statement. Ever wonder how an Emmy-winning actress making her first splash at the Venice Film Festival manages to steal every spotlight without breaking a sweat? Well, let me tell you, it’s a mix of impeccable style, unshakable poise, and a gown that screams old Hollywood glamour meets modern-day royalty. Sharing the limelight with the likes of director Luca Guadagnino and Hollywood legends Julia Roberts, Chloë Sevigny, and Andrew Garfield, Edebiri didn’t just arrive—she conquered, dressed head to toe in custom Chanel creations that whispered tales of the industry’s past even as they heralded the future. But what’s truly remarkable is how this bold red ensemble, complete with ruby buttons cascading down to a floor-sweeping train, didn’t just blend into the Venice Film Festival’s storied history—it set a new standard. And just when you thought the show was over, a sharp white tweed suit made by Chanel ensured all eyes stayed glued. The question lingers: Can a debut like this be topped? I’ll bet the answer’s no—because with style and savvy like Edebiri’s, she’s just getting started.

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At Friday night’s After The Hunt premiere, all eyes were on Ayo Edebiri. Promoting the psychological drama alongside director Luca Guadagnino and cast-mates Julia Roberts, Chloë Sevigny, and Andrew Garfield, the Emmy-winning actress made her Venice Film Festival debut in a gown worthy of her stardom.

A custom design by Chanel, the bold red look blended old Hollywood glamour with a contemporary feel—nodding to the industry’s past while proving Edebiri is its future. A beacon of impeccable tailoring and dreamy draping, the piece featured a strapless neckline, column silhouette, and ruby buttons that held together fabric gathers, creating a cascading effect that drew the eye down from the waist to the floor-sweeping train. And though the gown matched the red carpet beneath it, it firmly stood out on its own.

As if this wasn’t enough, Edebiri wowed at the film’s photo call in another number by Chanel, a classic white tweed suit with a similar asymmetrical look that balanced modern detailing with timeless elegance. Styled by Danielle Goldberg, who also works with the likes of Margaret Qualley and Zoë Kravitz, the look’s tapered trousers with gold buttons were certainly a standout.

This may have been the actress’ first Venice Film Festival, but with the help of Chanel, she’s already made her mark.

One of the most highly anticipated debuts from the Venice Film Festival this year, After The Hunt follows a college professor as her star student (Edebiri) files an accusation against a colleague. It will be released for streaming in October.