From Wall Street to the Canvas: How One Iconoclast is Redefining Pop Art with Unstoppable Swagger
SM: How do you reconcile these seemingly disparate worlds – high finance and pop art – in your personal identity and your work? Do they ever clash, or do you find a synergy?
SG: I think they feed each other, actually. At first glance, they might seem totally opposite, but there’s a lot of overlap in terms of strategy, understanding markets (whether financial or cultural), and even risk-taking. My finance background taught me discipline, analytical thinking, and how to structure complex ideas. Art, on the other hand, is all about intuition, expression, and challenging those structures.
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