From Wall Street to the Canvas: How One Iconoclast is Redefining Pop Art with Unstoppable Swagger
SM: Being a global artist must come with its own unique set of pressures. What are some of the biggest challenges you face when you’re exhibiting in different countries, dealing with diverse audiences and markets?
SG: Oh, there are definitely pressures. Logistically, it can be a headache – shipping, customs, making sure everything arrives safely and on time. That’s a whole beast in itself. Then there’s the cultural aspect. While my work uses global pop culture, interpreting it can vary. What might be funny or poignant in one place could be completely missed or even misunderstood in another. You have to be aware of those nuances without letting it dictate your artistic voice.
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