Zoe Saldaña’s Stunning New Role at Cartier: What This Means for Fashion and Power Play Dynamics
Jonathan Anderson and Luca Guadagnino are a fashion match made in heaven.
In 2024, Anderson teamed up with the famous director twice, for the films Challengers and Queer. At the time, Anderson was still creative director of Loewe, but he recently made his transition to the same role at Dior. Despite these changes, it’s clear that Anderson’s partnership with Guadagnino is not slowing down any time soon.
Earlier this week, Anderson announced that he will be designing the costumes for Guadagnino’s upcoming project, Artificial. “Very excited to be working with the amazing Luca Guadagnino,” Anderson wrote on his Instagram Story.
According to outlets like Deadline, the film is being described as “a comedic drama set in the world of artificial intelligence.” As for how that collaboration will come to life through costuming? We’ll have to wait to find out.
Schiaparelli Will Support New Man Ray Exhibition at the Met
Schiaparelli has just been announced as a supporter of the new “Man Ray: When Objects Dream” exhibit at the Metropolitan Museum of Art in New York.
Running from September 14 through February 1, 2026, the collection will comprise over 150 works of photography, sculpture, film, and more that captures the life of the singular Dada and Surrealist visual artist.
Throughout his life, Man Ray had a close relationship with Schiaparelli founder Elsa Schiaparelli, after the two were introduced by mutual friend Gabrielle Buffet-Picabia.
In a new statement, current creative director Daniel Roseberry said: “I’ve always had a special feeling for Man Ray—like me, he was an American (born in Pennsylvania in 1890), and a Virgo. He was also, more significantly, an outsider in Paris, a voyeur of a scene who later became synonymous with it. And like Elsa Schiaparelli, he blurred the lines between fashion and art: Before fashion became a commercial enterprise, it was an artistic one, and that’s in no small part thanks to them, and how easily they moved between genres and creative identities.”
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